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Saturday, May 30, 2026
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Tom Holland gets backlash over red carpet comments about Zendaya

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In a recent interview with Men’s Health, Tom Holland revealed why he chooses not to accompany girlfriend Zendaya on the red carpet at her movie premieres. The actor explained, “It’s not my moment, it’s her moment, and if we go together, it’s about us.” While the pair are happy to share the spotlight when promoting films they’ve worked on together, like the Spider-Man trilogy, Holland said he didn’t want to detract from Zendaya’s achievements by joining her at events for her solo projects such as Challengers or Dune.

However, his comments sparked a flurry of reactions on X (formerly Twitter), with some fans interpreting them as Holland implying he would overshadow Zendaya. One user wrote, “Does he think he’s more famous than her?” Another added, “Bold of him thinking he could get the main character on the red carpets.” A third quipped, “We understand the sentiment, but you’re not drawing attention from Zendaya, bro.”

Others were quick to defend Holland, pointing out the intention behind his words. One fan clarified, “You all are so illiterate. He’s not saying he would steal her spotlight because he’s Tom Holland. He’s saying that if he walks with her, it will become about them being a couple on the red carpet rather than just about Zendaya and her work.”

Another commented, “Exactly! And mind you, when he defended her from paparazzi recently, the entire timeline was Tomdaya for like 3–4 days. It’s not him thinking he’s a bigger star—it’s knowing the fact that mainstream media has always prioritised women’s personal relationships over career achievements.”

Praise for Holland’s supportive stance poured in, with one user writing, “The way Tom quietly shows up to support Zendaya’s success while making sure the spotlight stays on her accomplishments is exactly what healthy love looks like.” Another summed it up with, “If you’re wondering what a green flag is… Tom Holland.”

Zendaya and Holland have starred together in three Spider-Man films, two of which crossed $1 billion at the global box office. Next year, the couple will reunite on film sets for both a fourth Spider-Man movie and Christopher Nolan’s The Odyssey. With release dates for both projects set for 2026, fans can expect to see plenty of the duo on red carpets in the near future.

Tom Cruise’s relationship rumours with long time agent Maha Dakhil: Insider chimes in with what’s going on

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Reports of Tom Cruise being involved in a romantic relationship with his longtime agent, Maha Dakhil, have been dismissed by a source close to the actor. Speculation began after the pair were spotted having dinner together at a Mayfair restaurant in London on 18 December. Paparazzi images from the evening, which showed the two appearing “touchy-feely,” quickly fuelled dating rumours on social media.

However, InTouch Weekly quotes a source who clarified that Maha, who is “happily married,” and Tom are simply close colleagues and friends. The source added, “When Tom and Maha get together, they are very chummy. It’s clear they like each other very much and enjoy each other’s company, but that’s all. Tom’s not one to cross any lines.”

The report also labelled their dinner as nothing more than a meal between friends who have worked together for years, firmly putting an end to the swirling speculation.

In professional news, Tom Cruise is gearing up for the release of Mission: Impossible – The Final Reckoning, the last instalment of the blockbuster franchise. Directed by Christopher McQuarrie, the film is the eighth and final chapter of the series that began in 1996. Alongside Cruise, the star-studded cast includes Hayley Atwell, Ving Rhames, Simon Pegg, Vanessa Kirby, and Esai Morales. The film is set to hit cinemas on 23 May.

Looking ahead, Cruise will also star in Alejandro González Iñárritu’s Judy, slated for a 2026 release.

Jayam Ravi and Nithya Menen’s Kadhalikka Neramillai set for Pongal release

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The much-anticipated Tamil-language romantic comedy Kadhalikka Neramillai, starring Jayam Ravi and Nithya Menen, is all set to hit cinemas on 14 January. The official announcement was made on social media, with the makers revealing the release date along with new looks from the film. The caption accompanying the post reads, “The more you resist, the more you’ll fall in love! Kadhalikka Neramillai releasing in cinemas on January 14th, 2025.”

Directed by Kiruthiga Udhayanidhi, the film marks her first feature film venture after directing the web series Paper Rocket. Udhayanidhi is married to Tamil Nadu Minister Udhayanidhi Stalin. Kadhalikka Neramillai features an ensemble cast including Yogi Babu, Vinay Rai, John Kokken, and Lal in key roles. It also marks Jayam Ravi’s thirty third film, where he collaborates with Nithya Menen for the first time.

Music for the film is composed by the legendary AR Rahman, with tracks like “Yennai Izhukkuthadi” and “Lavender Neramae” already unveiled to great anticipation.

Apart from this romantic comedy, Jayam Ravi has several other exciting projects in the pipeline. He is set to play a pivotal role in Sivakarthikeyan’s upcoming film, tentatively titled SK25, directed by Sudha Kongara. The film, which marks the first collaboration between Kongara and both Sivakarthikeyan and Ravi, is expected to feature Jayam Ravi as the main antagonist. It is said to be a revival of Kongara and Suriya’s shelved project, tentatively called Suriya 43 or Puranaanooru, which was originally announced to reunite Kongara and Suriya after their success with Soorarai Pottru (2020).

In addition to Kadhalikka Neramillai and SK25, Jayam Ravi also stars in the fantasy comedy Genie alongside Krithi Shetty, Kalyani Priyadarshan, and Wamiqa Gabbi. Furthermore, he has another untitled film, named JR34, awaiting release.

Fans of The Traitors convinced they ‘already know’ winner after ‘unfair’ twist on BBC series premiere

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The third series of The Traitors kicked off on Wednesday night in the Scottish Highlands, but a major twist during the premiere left fans feeling that they already knew the outcome of the show, with many calling the change “unfair.”

The competition, which takes place at a castle in the Scottish Highlands, follows 25 strangers as they compete for a £120,000 prize. While most contestants are Faithfuls, some are secretly chosen as Traitors and tasked with eliminating their fellow players without detection. The Faithfuls must then figure out who the Traitors are during tense voting sessions.

However, this year, host Claudia Winkleman revealed a huge shake-up to the show’s ending format, one that left fans divided. Traditionally, eliminated contestants reveal their identities — whether they are Faithfuls or Traitors — once they’ve been voted out. But this time, Winkleman explained, the eliminated contestants will no longer disclose their roles immediately.

Instead, the final group of players will need to rely solely on their instincts to determine if any Traitors remain in the game. Winkleman teased, “At the end, I will thank somebody for taking part, and they can just walk out.” This unexpected change led some fans to believe that the Traitors were at a distinct advantage, with several viewers expressing their dissatisfaction on social media.

One user on X (formerly Twitter) wrote: “As if the game wasn’t massively stacked towards the #TheTraitors, they have made it easier for them to win now,” while another complained: “The odds are already so heavily stacked against the Faithfuls, this plot twist is going to make it impossible for them to win.”

Others voiced their frustration over what they perceived as an unfair twist: “Why is it literally built for the Traitors to win? This feels kinda unfair,” one fan posted. However, some viewers were more optimistic about the Faithfuls’ chances, with one person writing: “Hmmmmm. Think the Faithfuls are gonna win this series.”

The twist even sparked discussions around the gender dynamics within the game, with one fan pointing out, “All women Traitors?? Oh, we are so back. A woman will win this year.”

As The Traitors progresses, the shake-up has clearly ignited a passionate debate among viewers, with some convinced they already know how the series will play out. The show airs on BBC One and is available to stream on iPlayer.

Game Changer trailer: Fans draw comparisons to Shankar’s old films like Magadheera ahead of release

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The much-anticipated trailer for Game Changer, the upcoming Telugu film directed by Shankar and starring Ram Charan and Kiara Advani, dropped on Thursday evening, setting the internet alight with a flurry of reactions. The film, set to release on 10 January, showcases Ram Charan in dual roles as both father and son. While the trailer has generated significant buzz, reactions on social media have been divided, with some fans praising the performances, while others have pointed out the familiarity of the themes.

As the trailer hit X (formerly Twitter), reactions ranged from cautious optimism to a sense of déjà vu, with many fans expressing mixed feelings about the film’s premise. One user who was impressed with Ram Charan’s performance in dual roles shared, “Me After watching Game Changer Trailer. How did you show so many variations?” highlighting his versatility. However, others were less enthusiastic, noting that the trailer felt like a rehash of Shankar’s past films. “Good Trailer cut of Game Changer, though the beats of the film we have seen a million times before, but as of now enough to bring audience to the theatres,” commented one user, acknowledging the predictability but still showing interest in the film.

Some fans expressed hope that the film might still surprise them. One fan compared the trailer to Ram Charan’s father, Chiranjeevi’s Waltair Veerayya, saying they were optimistic despite initial reservations. The trailer showcases Ram Charan in various roles, including a student, police officer, and IAS officer, alongside his father’s character as a political leader. The theme of a fight against corruption, which drives the story, seems to draw heavily from Shankar’s past works, with vigilante justice playing a central role.

Fans also drew comparisons to Shankar’s earlier hits, with some noting similarities to Mudhalvan (also known as Oke Okkadu) and Saamy Square. “Giving Mudhalvan vibes,” one fan posted on X, while another wrote, “Game Changer = Mudhalvan + Sivaji + Indian-2.” On Reddit, a user summed up the film’s potential by saying, “Typical Shankar template movie. Either blockbuster or disaster. UNPREDICTABLE.”

A particular shot of Ram Charan riding a horse in the trailer even sparked comparisons to Rajamouli’s Magadheera, with one user jokingly reminding the actor not to ride horses in films that aren’t directed by Rajamouli. At the trailer launch, Rajamouli himself humorously quipped to Charan about the horse-riding scene.

Directed by Karthik Subbaraj, Game Changer tells the story of an IAS officer, Ram, and a political leader, Appanna, both played by Ram Charan. The film features a strong supporting cast, including Anjali as Appanna’s wife, Kiara Advani as Ram’s love interest, and prominent actors such as Samuthirakani, SJ Suryah, Srikanth, Prakash Raj, and Sunil in key roles. The film’s story is penned by Subbaraj, with dialogues written by Sai Madhav Burra.

As the film’s release date draws near, Game Changer is proving to be a polarising subject, leaving audiences eagerly awaiting what Shankar’s signature direction will bring to the table this time.

Hum Network’s Unmarriageable: A Pakistani twist on Pride and Prejudice begins production this year

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Anticipation is building for the screen adaptation of Soniah Kamal’s novel Unmarriageable, a modern retelling of Pride and Prejudice set in Pakistan. Production is slated to begin this year, with the series marking a collaboration between Pakistan’s Hum Network and US-based Travelling Picture Show Company (TPSC) and Rising Tides.

The adaptation, penned by Sadia Ashraf, who will also co-direct with James McMillan, promises to bring a unique lens to Jane Austen’s classic tale. McMillan, best known for his work as a cinematographer on Avengers: Endgame and A Quiet Place: Part One, brings his Hollywood expertise to the project.

The novel’s narrative follows the Binat family, with five daughters navigating societal expectations and modern challenges in Pakistan, mirroring Austen’s exploration of love, class, and family dynamics. The series is expected to provide a rich tapestry of South Asian culture while maintaining the universal appeal of Austen’s themes.

Hum Network’s Sultana Siddiqui and Badar Ikram, alongside author Soniah Kamal, serve as executive producers. Producers include Carissa Buffel and Luisa Iskin from TPSC, with Sadia Ashraf and Shahla Khan representing Rising Tides.

This project marks a significant milestone as a rare Western production filmed entirely in Pakistan. Hum Network, a female-led entertainment powerhouse, has a longstanding reputation for delivering quality programming, boasting 700 hours of original content annually over the last 18 years.

Rising Tides, co-producing the series, continues its mission of highlighting female-driven and culturally diverse stories. The studio has an ambitious slate of 20 projects in development, including animated shorts and untold narratives from underrepresented cultures.

With TPSC’s pedigree—including films like Freud’s Last Session and A Walk Among The Tombstones—and Hum Network’s deep connection to Pakistani audiences, Unmarriageable promises to be a groundbreaking addition to the global television landscape. Fans of Austen and South Asian storytelling alike eagerly await the series’ debut.

Priyanka Chopra Jonas on the future of cinema: “The magic of movie theatres will never fade”

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As rumours swirl about Priyanka Chopra Jonas potentially starring in SS Rajamouli’s next film, the global icon has opened up about her views on the future of cinema amidst the rise of OTT platforms. While fans eagerly await official confirmation of her return to Indian films, Chopra is gearing up for the next season of Citadel.

In a candid conversation, the 42-year-old reflected on the ongoing debate about the survival of theatres in the face of OTT’s growing dominance. “I think that both, the big screen and OTT, are incredible to have! We’re living in an incredible time where we can access entertainment in every way possible, 24/7,” she said, celebrating the diversity in content consumption.

Chopra, however, remains steadfast in her belief that cinema holds a unique charm. “The big screen experience will always be special. There’s nothing quite like entering a darkened theatre and watching a movie, not just with friends and family, but with a room full of strangers, all connected by the viewing experience. The big screen’s scale, sound, and immersive atmosphere make it a truly magical experience. I don’t think the magic of movie theatres will ever fade,” she affirmed.

Her passion for cinema extends beyond acting, with her co-production of the Marathi film Paani demonstrating her commitment to Indian storytelling. Chopra also noted how advancements in technology continue to elevate the theatre experience. “From 3D to IMAX, and now immersive audio, there is continued innovation in the theatre experience that will keep bringing people back,” she explained.

Nadia Khan hits back at trolls over age-shaming, closely after Kareena Kapoor faced similar criticism across the border

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Nadia Khan has addressed the backlash she faced over her beauty and skincare advice, responding to age-shaming with confidence and clarity. The controversy began surrounding a beauty vlog on her YouTube channel, where she emphasised the importance of maintaining a proper skincare routine for women in their forties.

Reflecting on the incident, Nadia explained, “During a show, I mentioned how essential it is to follow a good skincare routine in your forties. Some people twisted my words, assuming I was claiming to be 40. They mocked my age and misunderstood that the forties span a decade, from 40 to 49.”

Despite the trolling, Nadia stood firm, highlighting how negativity on social media often stems from a desire to provoke. “Social media is full of people who enjoy saying bad things. We can’t control them, but we can choose to ignore them,” she added. Nadia also doubled down on her advice, insisting that taking care of one’s skin is equally important in one’s forties and fifties.

This isn’t the first time Nadia has been criticised for her age. Previously, actress and model Shizza Khan made a controversial remark on live television, suggesting Nadia might be experiencing a “mid-life crisis.” While Nadia dismissed the comment, it added to the ongoing discourse around age-shaming, particularly for women in the public eye.

Kareena and Khaqan Shahnawaz
Image: Instagram

Similarly, Bollywood star Kareena Kapoor has recently been dragged into a cross-border controversy over her age. Pakistani actor Khaqan Shahnawaz sparked outrage during a talk show appearance on 14 December when he dismissed the idea of working with Kareena as her romantic co-star, suggesting he could play her son instead due to her age. Describing her as “quite old,” Shahnawaz’s remarks quickly went viral, prompting an outpouring of support for Kareena from fans in both India and Pakistan.

Fans criticised the actor’s comments as “ageist,” with some questioning his relevance compared to Kareena’s iconic status in Bollywood. One user wrote, “Bro thinks he cracked a funny joke. You don’t exist for her,” while another remarked, “Who even is Khaqan Shahnawaz?”

These incidents highlight the persistent ageism women face in public life, whether it’s Nadia Khan tackling trolls or Kareena Kapoor enduring dismissive remarks. Such episodes reflect a troubling cultural narrative that equates ageing with a loss of relevance or value, especially for women.

Diljit Dosanjh’s New Year’s Eve concert in Ludhiana faces legal hurdles over alcohol references in songs

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Diljit Dosanjh’s highly anticipated New Year’s Eve concert in Ludhiana was overshadowed by a legal dispute, following a formal complaint from Panditrao Dharenavar, an assistant professor at a Chandigarh college. The complaint, lodged ahead of the performance, has prompted the deputy director of the Women and Child Department in Punjab to issue a notice urging local authorities to prevent the singer from performing certain songs due to their references to alcohol.

The notice specifically targets popular tracks such as ‘Patiala Pegg,’ ‘5 Tara Theke,’ and ‘Case (Jeeb Vicho Feem Labbiya),’ citing concerns over their potential influence on young and underage listeners. Even if the songs were altered, the authorities have called for their complete ban, fearing the promotion of alcohol consumption during public events. This is not the first time Dosanjh has faced such scrutiny. Multiple advisories have been issued to the singer, requesting that he refrain from performing alcohol-themed songs at public events.

The complaint is backed by a 2019 ruling from the Punjab and Haryana High Court, which ordered authorities to prevent songs that promote alcohol, drugs, or violence from being played at public gatherings, in an effort to safeguard young audiences. Dharenavar has threatened to escalate the matter to the High Court if no action is taken.

In addition to the legal concerns, Dharenavar voiced his disapproval of Dosanjh’s decision to perform these songs while wearing a turban, a symbol of Sikh culture, arguing that it sends an inappropriate message to the public.

The Ludhiana concert marked the grand finale of Dosanjh’s Dil-Luminati India Tour, which had been a resounding success with sold-out shows across the country. Despite being added as a last-minute stop, tickets for the New Year’s Eve event sold out quickly following the announcement on 23 December.

This legal controversy is just the latest in a series of challenges Dosanjh has faced on his tour. Similar complaints regarding his song choices were filed in cities like Hyderabad and Indore, where his performances sparked debate about the role of music in influencing public behaviour.

As Dosanjh continues to enjoy immense popularity, his legal battles over song lyrics raise significant questions about the intersection of culture, entertainment, and the responsibility of artists in today’s society.

Justin Baldoni accuses Ryan Reynolds of bullying, says Blake Lively orchestrated a ‘hostile takeover’ of their movie in new lawsuit

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The legal battle between co-stars Justin Baldoni and Blake Lively has officially begun, with the It Ends With Us director filing a $250 million lawsuit against the New York Times. Baldoni, along with nine other plaintiffs, including his production company Wayfarer Studios, has sued the US outlet for allegations including libel, invasion of privacy, promissory fraud, and breach of implied contract, as reported by PEOPLE. The 87-page complaint, filed on New Year’s Eve, specifically targets a Times article titled “‘We Can Buy Anyone’: Inside a Hollywood Smear Machine,” published after Lively filed her own complaint against Baldoni.

In an aggressive move, Baldoni has named Lively’s husband, actor Ryan Reynolds, accusing the Hollywood couple of orchestrating a smear campaign against him. According to the lawsuit, Baldoni describes an intense confrontation that occurred on 4 January, 2024, during a meeting at the New York penthouse of Lively and Reynolds. The meeting, which was initially planned to discuss filming, took a dramatic turn when the couple allegedly confronted Baldoni with a series of grievances, including accusations of “fat-shaming” Lively.

Baldoni claims that Reynolds “berated” him during the meeting, forcing him to defend himself against what he considers to be false accusations. The suit details how Reynolds allegedly demanded Baldoni apologise to Lively, but Baldoni stood firm, denying the accusations. The encounter, which Baldoni described as “traumatic,” left those present in “shock.” The actor-director-producer insists that the accusations were untrue and that the situation escalated when Reynolds became even more enraged after Baldoni’s refusal to apologise.

The lawsuit also points to what Baldoni and his legal team describe as a “hostile takeover” of the It Ends With Us project by Lively. According to the filing, Lively’s involvement in the production after filming wrapped was seen as an attempt to control the project, culminating in Baldoni walking the red carpet solo at the movie’s premiere. Baldoni’s lawyer, Bryan Freedman, along with his publicists, have presented a series of texts, emails, and WhatsApp messages as evidence, claiming that Lively and Reynolds used their influence to damage Baldoni’s reputation and even attempted to prevent him from attending the premiere.

As the legal battle continues to unfold, Baldoni’s team has promised additional lawsuits in the coming days, further escalating tensions between the Hollywood power couple and the Jane the Virgin star.